Qué afirmaciones sobre la metalistería inca son ciertas? Elija todas las respuestas que sean correctas. A. Algunas obras fueron hechas de cobre y enterradas en tumbas. B. Algunas obras fueron hechas de láminas delgadas con diseños martillados en ambos lados. C. Algunas obras fueron usadas por los emperadores como joyas. D. Algunas obras fueron hechas de oro y plata y llenas de patrones.
Answers (1)
Know the Answer?
Not Sure About the Answer?
Get an answer to your question ✅ “Qué afirmaciones sobre la metalistería inca son ciertas? Elija todas las respuestas que sean correctas. A. Algunas obras fueron hechas de ...” in 📙 Arts if there is no answer or all answers are wrong, use a search bar and try to find the answer among similar questions.
Search for Other Answers
You Might be Interested in
The increase during the eighteenth century in the number of middle-class householders who were interested in music created a demand for music that could be performed at home.
Answers (1)
What are the most famous media's used for painting?
Answers (2)
What does ponyboy realize about cherry and sunsets? do you think this shows that socs and greasers are not so different after all? explain your answer?
Answers (1)
Which of the following are common design elements found in Persian carpets?
Answers (2)
According to the text what is one of the easiest ways to create a sense of unity in an artwork
Answers (1)
New Questions in Arts
Romantic artworks, such as Delacroix's Liberty Leading the People, were often intended as
Answers (2)
Which gospel artist recorded the song "move on up a little higher"?
Answers (1)
An architect's motto during the early twentieth century was typically "form follows
Answers (1)
Which of the following is true about the life of Raphael? A He apprenticed with master Periguino B His grandmother was his first teacher. C His patrons were poor pesants living in Florence. D His hot temper prevented him from working for popes.
Answers (1)
In what way was Franz Schubert ahead of his time? A. He wrote melodies based on the whole-tone scale. B. He defied the tonal conventions of the sonata form by combining unrelated keys. C. He pioneered the technique of atonal music. D.
Answers (1)