The sister arts enjoy the use of a plastic and ductile material, like the modeller's clay; literature alone is condemned to work in mosaic with finite and quite rigid words. You have seen these blocks, dear to the nursery: this one a pillar, that a pediment, a third a window or a vase. It is with blocks of just such arbitrary size and figure that the literary architect is condemned to design the palace of his art. In a paragraph of five to eight sentences, identify the author's use of implicit, indirectly-stated comparisons in the examples in bold. Analyze the examples and explain their meanings

Question

English

Bentley

17 July, 01:47

The sister arts enjoy the use of a plastic and ductile material, like the modeller's clay; literature alone is condemned to work in mosaic with finite and quite rigid words. You have seen these blocks, dear to the nursery: this one a pillar, that a pediment, a third a window or a vase. It is with blocks of just such arbitrary size and figure that the literary architect is condemned to design the palace of his art. In a paragraph of five to eight sentences, identify the author's use of implicit, indirectly-stated comparisons in the examples in bold. Analyze the examples and explain their meanings

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Kristen Avery · Answer 1

Literature is a very complex and exact source of art. Even though writers use only words, they are very diverse. So literature is exact and variable.

Explanation:

The sister arts enjoy the use of a plastic and ductile material, like the modeler's clay; literature alone is condemned to work in mosaic with finite and quite rigid words.

In the first phrase, the author compared the plastic arts to literature. Stating that the plastic arts can share a great number of materials that can bring a wide specter of forms of creation, while literature can be only made with words, qualifying it as a very elaborated and detailed design.

You have seen these blocks, dear to the nursery: this one a pillar, that a pediment, a third a window or a vase. It is with blocks of just such an arbitrary size and figures that the literary architect is condemned to design the palace of his art.

In the second phrase the author states that the resources writers use are perfectly combined to satisfy a model or design pre-established that is so well planned that even the most minimum detail is developed at its ultimate level. That every word, phrase or excerpt are so important to the final work that together they are very alike to castles and big buildings. In conclusion, the author's analysis states that the writers are very creative artists but that they have to plan their work at the most minimum detail in order to be able to create a complete work.