The most conclusive-sounding cadence, often found at the end of a piece, is a (n)

A. deceptive cadence.

B. plagal cadence.

C. half cadence.

D. authentic cadence.

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The most conclusive-sounding cadence, often found at the end of a piece, is a (n) A. deceptive cadence. B. plagal cadence. C. half cadence. D. authentic cadence.

3. Techniques are not the ways artists go about applying the principles of composition. 3. Techniques are not the ways artists go about applying the principles of composition.

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